Photos by Josephine Pryde.

Cloud installation created by Dutch artist Berndnaut Smilde. 
“The clouds are generated using a smoke machine, but Smilde must carefully monitor a room’s humidity and atmosphere in order to get the smoke to hang so elegantly, and with such life-like form. Backlighting is used to bring out shadows from within the cloud, to give it that look of a looming and ominous rain cloud. Smilde says his purpose was to give form to “physical presence found within transitional space.””

Cloud installation created by Dutch artist Berndnaut Smilde.

“The clouds are generated using a smoke machine, but Smilde must carefully monitor a room’s humidity and atmosphere in order to get the smoke to hang so elegantly, and with such life-like form. Backlighting is used to bring out shadows from within the cloud, to give it that look of a looming and ominous rain cloud. Smilde says his purpose was to give form to “physical presence found within transitional space.””

Image made by me. This is a photograph of an installation I made using a piece Felix Gonzalez-torres’ paper stack from his Moma Ps1 installation back in 2011. 

Image made by me. This is a photograph of an installation I made using a piece Felix Gonzalez-torres’ paper stack from his Moma Ps1 installation back in 2011. 

Photo by Chris McCaw.

Photo by Chris McCaw.

Photographs by Matthew Stone

Photo of the East Village in 1984 by Andreas Sterzing.

Photo of the East Village in 1984 by Andreas Sterzing.

pastfuturereference:

LUIS DOURADO -  FAMOUS ARE DREAMING

Reblogged from pastfuturereference with 2 notes

jesuisperdu:

rock face, letha wilson

jesuisperdu:

rock faceletha wilson

Reblogged from jesuisperdu with 98 notes

Photos by Jörn Vanhöfen.

Photo by Tom Farmer.

Photo by Tom Farmer.

Photos by Deborah Mesa-Pelly.

Naked Youth” by Bill Henson.

This month marks the one-year anniversary of last year’s disasters in Japan, and last week on Photo Booth weposted a slide show of images of the aftermath. One of the most powerful visual representations of this recovery, though, came not from professional photographers but from ordinary citizens. The Lost & Found Project is an exhibition that grew out of the Salvage Memory Project, a volunteer effort from across the country which has recovered some three quarters of a million photographs that had been lost in the town of Yamamoto during the earthquake and tsunami. According to the artist Munemasa Takahashi, who leads the project, they’re “mostly snapshots of special family occasions and holidays that anyone would take.” Each photograph was washed, digitized, and numbered according to where it was found, and twenty thousand have been returned to their original owners.
“After the disaster occurred, the first thing the people who lost their loved ones and houses came to look for was their photographs,” Takahashi told me. “Only humans take moments to look back at their pasts, and I believe photographs play a big part in that. This exhibit makes us think of what we have lost, and what we still have to remember about our past.”
The photographs will be on display at Aperture Foundation from April 2nd to 27th.

This month marks the one-year anniversary of last year’s disasters in Japan, and last week on Photo Booth weposted a slide show of images of the aftermath. One of the most powerful visual representations of this recovery, though, came not from professional photographers but from ordinary citizens. The Lost & Found Project is an exhibition that grew out of the Salvage Memory Project, a volunteer effort from across the country which has recovered some three quarters of a million photographs that had been lost in the town of Yamamoto during the earthquake and tsunami. According to the artist Munemasa Takahashi, who leads the project, they’re “mostly snapshots of special family occasions and holidays that anyone would take.” Each photograph was washed, digitized, and numbered according to where it was found, and twenty thousand have been returned to their original owners.

“After the disaster occurred, the first thing the people who lost their loved ones and houses came to look for was their photographs,” Takahashi told me. “Only humans take moments to look back at their pasts, and I believe photographs play a big part in that. This exhibit makes us think of what we have lost, and what we still have to remember about our past.”

The photographs will be on display at Aperture Foundation from April 2nd to 27th.

I took these polaroids this weekend. Inspired by Ellen Sirot.